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TOP-OF-THE-LINE
Only with Quality Material
Setting a high standard
The artist incorporates and
integrates the best supply available to produce his superior
creation possible. Everlasting impression and endurance is the
artist's concern to make a worthwhile investment, for the client
and artist's endeavor, all-the-way-around.
OIL COLOR
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Holland Classic
Oil colors for professionals...;
Old Holland has been making artist colors since 1664 and the
company is known for uncompromising adherence to traditional
techniques and standards. With traditional recipes, Old Holland
Classic Oil Colors produce very concentrated and light-fast
paint, resulting in higher color strength, hiding power, and
intensity. All color making is done by hand, and all processes
are controlled by artists. Pigments are ground in stone rather
than metal rollers. Only the purest virgin cold-pressed
sun-bleached linseed oil is ever used.
Royal Talens Rembrandt
The professional choice of artists
Highest degree of
light-fastness; purest mixability and greatest durability.
Rembrandt Artist's Oil Colors
are manufactured to exacting professional quality standards in
Apeldoorn, Holland.
Colors are unique in their light-fastness, every color has the
highest light-fastness rating (+++). As a result your paintings
will keep their original brilliant colors and value. Contains
the purest pigments and the finest quality linseed oil. Colors
retain their brilliance.
Royal Talens is one of the leading manufacturers in the world of
color materials.
Gamblin Artist's Oil Colors
The old masters had their colormen, specialists who mixed paints
and varnishes to their specifications. Gamblin Artists Oils are
based on alkali refined linseed oil as a binder. It yellows
significantly less than cold pressed linseed oil, the
traditional binder in oil paints, and makes a strong, flexible
paint film. Robert Gamblin has sought out the finest grades of
pigment available; offers unique textural and tinctorial
differences among families of pigments. Today the finest quality
artists' materials made in the history of painting are available
to discerning painters. By artists for artists.
CANVAS
Belgian Linen
Special prepared
linen by the artist. Up to 3 or 4
layers carefully oil-primed; secured with special ingredient
from rough-changing temperatures (getting into the fabric that
causes painting cracked after awhile) from the surface and back
of the canvas. The canvas is nailed, instead of stapled, with
Copper Tacks
from the back, in lieu of from the sides, of the
stretcher bars. Solid
wood/heavy duty is the best supply/for a large painting:
Best Pro-Bar
Stretcher Bars. This way
will protect the canvas longevity and painting in a great deal.
Double Oil Primed Belgian Linen and
LinenPanel. The latter one is mounted with a reversible archival adhesive
and primed with zinc-white & linseed oil. Linen canvas is a
standard and preferred support for paintings; traditional "best"
choice in a variety of grounds, textures and would last for many
countries. Belgium is the leader in producing quality linen
canvas--with
a long history of flax cultivation.
 Other
Canvases
The artist is open to any other high-quality canvases and
materials, like cotton duck:
Finest Pure Cotton Duck
or a heavier canvas
Double-Filled Canvas,
at client's request as long as it meets our standard. In
addition, the
artist is also approachable to new ideas of
better ways of doing thing to achieve an impressive result. A
polyester has smooth surface
and is better than cotton. But, the weight of polyester that available
in art market has not convinced the artist at this point to
fulfill a serious work.
Canvas Tarpaulin
(Teri Tarp)
is
a much better choice as to a pre-stretched polyester in many art
stores. Tarpaulin is not cheap but it is a great material and the best
for rough and unfriendly temperatures.
Canvas Tarpaulin should be a moisture-and-rust-resistant;
rugged; strong and flexible; completely dependable in any
weather; and in many cases it is known for specially treated for
applications requiring a flame retardant material.
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Procedure and the
progression...
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Inquiry for
original works and prints
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